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Australian comedy The Wog Boy has grossed a highly impressive A$1.2m from just three days of preview screenings Feb 18-20 , which would have placed it at number three in the chart had it been included. Previews are traditionally excluded from box office charts. Only two films performed better than this unusual local film: UIP s critically acclaimed The Green Mile pictured and American Beauty, which are in their second and fo <a href=https://www.cups-stanley-cups.us>stanley cup</a> urth weeks on release respectively. Playing on 180 screens The Wog Boy earned twice as much box office revenue and recorded double the screen average of REP s Man On The Moon, which end <a href=https://www.stanleywebsite.us>stanley website</a> ed up in fourth position. Managing director of 20th Century Fox Robert Slaviero says the result is the best for an Australian film on previews in history - obviously this partly reflects how widely the film was screened. He is especially pleased with the result given the bad press in recent months about the performance of domestic films at the box office. Slaviero believes it is achievable that the final gross could be between A$8 and A$10m.The Wog Boy couldn t be more different to the quality Academy Award nominees currently screening in Australia, which makes it a real alternative for cinemagoers. However, one of the biggest factors behind its success is the fan-base already built up for <a href=https://www.stanleycups.com.mx>stanley cup</a> lead actor Nick Giannopoulos. He is very well known for his stage and television performances, which also unashamedly parody his own Greek migrant experience. Giannopoulos is also cre Muae Industry moves
Source: United Talent AgencyJeremy ZimmerUnited Talent Agency UTA , independent studio Media Rights Capit <a href=https://www.cups-stanley-cups.ca>stanley canada</a> al MRC and its parent Valence Media are forming a US joint venture, Civic Ce <a href=https://www.stanley-cup.us>stanley cup</a> nter Media, to develop, produce and finance premium TV series.The venture represents the latest move by a Hollywood agency into the content creation business, a trend that has already seen the creation of Endeavor division Endeavor Content and CAA-associated Wiip.UTA will have only a minority stake in Civic Center and the venture will be non-exclusive f <a href=https://www.cups-stanley.fr>stanley cup</a> or both UTA and MRC known for TV series and films including House of Cards and Baby Driver . In a statement, the partners said the operation will seek to develop projects with artists represented by all talent agencies. Additionally, UTA will continue to work with all studios and MRC will continue to develop and acquire projects from all agencies. The partners said that by cutting overhead Civic Center will be offer more attractive terms鈥攂oth financially and creatively鈥攖o partners who bring their content projects to the studio. Agency clients, the companies added, will benefit on the back end, where they stand to make the most money if their content is well-received by audiences. Valence was launched in February with the combination of MRC, Dick Clark Productions, the Billboard-Hollywood Reporter Media Group and a minority stake in film distributor A24.Commenting on the new venture, UTA CEO Jeremy Zimmer said: As we looked at the landscape o
Australian comedy The Wog Boy has grossed a highly impressive A$1.2m from just three days of preview screenings Feb 18-20 , which would have placed it at number three in the chart had it been included. Previews are traditionally excluded from box office charts. Only two films performed better than this unusual local film: UIP s critically acclaimed The Green Mile pictured and American Beauty, which are in their second and fo <a href=https://www.cups-stanley-cups.us>stanley cup</a> urth weeks on release respectively. Playing on 180 screens The Wog Boy earned twice as much box office revenue and recorded double the screen average of REP s Man On The Moon, which end <a href=https://www.stanleywebsite.us>stanley website</a> ed up in fourth position. Managing director of 20th Century Fox Robert Slaviero says the result is the best for an Australian film on previews in history - obviously this partly reflects how widely the film was screened. He is especially pleased with the result given the bad press in recent months about the performance of domestic films at the box office. Slaviero believes it is achievable that the final gross could be between A$8 and A$10m.The Wog Boy couldn t be more different to the quality Academy Award nominees currently screening in Australia, which makes it a real alternative for cinemagoers. However, one of the biggest factors behind its success is the fan-base already built up for <a href=https://www.stanleycups.com.mx>stanley cup</a> lead actor Nick Giannopoulos. He is very well known for his stage and television performances, which also unashamedly parody his own Greek migrant experience. Giannopoulos is also cre Muae Industry moves
Source: United Talent AgencyJeremy ZimmerUnited Talent Agency UTA , independent studio Media Rights Capit <a href=https://www.cups-stanley-cups.ca>stanley canada</a> al MRC and its parent Valence Media are forming a US joint venture, Civic Ce <a href=https://www.stanley-cup.us>stanley cup</a> nter Media, to develop, produce and finance premium TV series.The venture represents the latest move by a Hollywood agency into the content creation business, a trend that has already seen the creation of Endeavor division Endeavor Content and CAA-associated Wiip.UTA will have only a minority stake in Civic Center and the venture will be non-exclusive f <a href=https://www.cups-stanley.fr>stanley cup</a> or both UTA and MRC known for TV series and films including House of Cards and Baby Driver . In a statement, the partners said the operation will seek to develop projects with artists represented by all talent agencies. Additionally, UTA will continue to work with all studios and MRC will continue to develop and acquire projects from all agencies. The partners said that by cutting overhead Civic Center will be offer more attractive terms鈥攂oth financially and creatively鈥攖o partners who bring their content projects to the studio. Agency clients, the companies added, will benefit on the back end, where they stand to make the most money if their content is well-received by audiences. Valence was launched in February with the combination of MRC, Dick Clark Productions, the Billboard-Hollywood Reporter Media Group and a minority stake in film distributor A24.Commenting on the new venture, UTA CEO Jeremy Zimmer said: As we looked at the landscape o
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