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The Canadian government is planning to increase the labour-based tax credit available to local film and television producers.The long awaited move follows up an increase to the tax credit available to off-shore producers in February 2003.The changes are designed to boost Canadian production and to increase Canada s attractiveness as an international coprod <a href=https://www.cups-stanley-cups.us>stanley cup</a> uction partner. The announcement was made on Friday following a leak to the media.Under the new regime, the Canadian Film and Video Producers Tax Credit CFVPTC will provide a tax credit equal for Canadian labour costs up to a maximum of 60% of the budget spent in Canada, up from 48%. The government will also classify any equity it holds in a production as assistance rather as part of the budget, thereby enhancing the potential benefit of the tax credit.In a statement, Canadian Film and Television Production Association act <a href=https://www.stanleycups.com.mx>stanley cup</a> ing president and CEO Guy Mayson said, While foreign location shooting is important, we can t have the domestic industry at a disadvantage. I think the government has helped fix that. According to the CFTPA, the new credit will provide assistance up to 12% of the cost of production, net of assistance. No comments <a href=https://www.cups-stanley.us>stanley cup</a> Related articles News Quebec to introduce Xowx Paramount Home Entertainment switches to SPI in New Zealand
Dir: Patrick Stettner. US. 2006. 90mins.Robin Williams great talent for mimicry,improvisation and change of pace has yielded some resourceful and inspired performancesin his comically inflected films. But in recent years his work has turned inward,with results that have been bluntly predictable and mannered: witness hisappearances in Insomnia, One Hour Photo and The Final Cut.It is something repeated in PatrickStettner s ungainly The Night Listener, adapted from Armistead Maupin s same-named autobiographicalnovel. Stettner showed great instincts in his first feature,the 2001 Sundance competition title The BusinessOf Strangers, a <a href=https://www.cup-stanley-cup.pl>stanley cup</a> viciously clever examination ofsexual politics and corporate culture. Here, however, he appears fatally unsureof what to make of his material, as if continually s <a href=https://www.stanleycups.cz>stanley cup</a> witching between a black comedy,a detective story, a horror show and a Hitchcock stylisation.The film premiered at Sundance,and the reserved audience response suggests it may face challenges in an overcrowdedmarketplace. International prospects are not very promising, although Williams profile - admittedly lower than a decade ago - may help.Gabriel Noone Williams a prominent writer and radio host, is depressedby the break up of his eight-year relationship with the young, handsome Jess Cannavale . He finds apparent solace through his developingfriendship with Pet <a href=https://www.stanley-cup.us>stanley cup</a> e Culkin , one of his callers anda precociously gifted 14-year-old writer, whose book about his adolescent sexualexploitation is
The Canadian government is planning to increase the labour-based tax credit available to local film and television producers.The long awaited move follows up an increase to the tax credit available to off-shore producers in February 2003.The changes are designed to boost Canadian production and to increase Canada s attractiveness as an international coprod <a href=https://www.cups-stanley-cups.us>stanley cup</a> uction partner. The announcement was made on Friday following a leak to the media.Under the new regime, the Canadian Film and Video Producers Tax Credit CFVPTC will provide a tax credit equal for Canadian labour costs up to a maximum of 60% of the budget spent in Canada, up from 48%. The government will also classify any equity it holds in a production as assistance rather as part of the budget, thereby enhancing the potential benefit of the tax credit.In a statement, Canadian Film and Television Production Association act <a href=https://www.stanleycups.com.mx>stanley cup</a> ing president and CEO Guy Mayson said, While foreign location shooting is important, we can t have the domestic industry at a disadvantage. I think the government has helped fix that. According to the CFTPA, the new credit will provide assistance up to 12% of the cost of production, net of assistance. No comments <a href=https://www.cups-stanley.us>stanley cup</a> Related articles News Quebec to introduce Xowx Paramount Home Entertainment switches to SPI in New Zealand
Dir: Patrick Stettner. US. 2006. 90mins.Robin Williams great talent for mimicry,improvisation and change of pace has yielded some resourceful and inspired performancesin his comically inflected films. But in recent years his work has turned inward,with results that have been bluntly predictable and mannered: witness hisappearances in Insomnia, One Hour Photo and The Final Cut.It is something repeated in PatrickStettner s ungainly The Night Listener, adapted from Armistead Maupin s same-named autobiographicalnovel. Stettner showed great instincts in his first feature,the 2001 Sundance competition title The BusinessOf Strangers, a <a href=https://www.cup-stanley-cup.pl>stanley cup</a> viciously clever examination ofsexual politics and corporate culture. Here, however, he appears fatally unsureof what to make of his material, as if continually s <a href=https://www.stanleycups.cz>stanley cup</a> witching between a black comedy,a detective story, a horror show and a Hitchcock stylisation.The film premiered at Sundance,and the reserved audience response suggests it may face challenges in an overcrowdedmarketplace. International prospects are not very promising, although Williams profile - admittedly lower than a decade ago - may help.Gabriel Noone Williams a prominent writer and radio host, is depressedby the break up of his eight-year relationship with the young, handsome Jess Cannavale . He finds apparent solace through his developingfriendship with Pet <a href=https://www.stanley-cup.us>stanley cup</a> e Culkin , one of his callers anda precociously gifted 14-year-old writer, whose book about his adolescent sexualexploitation is
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