Taxd The pluck of the Irish
Malaysian director Tan Chui-mui and China s Yang Heng continued their awards sweep at the Hong Kong International Film Festival HKIFF yesterday where both picked up prizes in the Asian Digital Competition. Tan s Love Con <a href=https://www.cup-stanley.de>stanley cup</a> quers All, about a young woman involved in an unconventional relationship in the big city, was presented with the Golden Digital Award, while Yang s Betelnut, about two teenaged lovers, took the Silver aw <a href=https://www.stanleycups.it>stanley italy</a> ard. The two films were jointly awarded Best New Asian Filmmaker of the Year in the New Currents section of the Pusan International Film Festival last year. Love Conquers All also picked up a VPRO Tiger Award at this year s Rotterdam film festival. Betelnut was also presented with the prize of the FIPRESCI jury at the HKIFF. The jury of the Asian Digital Competition praised the high quality of the eight films in this section, particularly the Malaysian entries, which they said underlined the strength of digital filmmaking in Malaysia today. Meanwhile the Humanitarian Award for best documentary went to Bill Guttentag and Dan Sturman s Nanking, about the violent invasion of what was then China s capital in 1937. The Humanitarian Award for Outstanding Documentary went to <a href=https://www.cup-stanley-cup.ca>stanley cup</a> Israeli-French film Potosi, The Journey, directed by Ron Havilio, about the Peruvian town which once had vast silver reserves. Amongst other prizes, the SIGNIS Catholic award went to Russian director Andrei Kravchuk s The Italian, about a six-year-old boy searching for his birth mother, while Ukrk Top Spanish post-production houses unveil merger
Dir. Hany Abu-Assad. UK/Palestine/Qatar/Netherlands/UAE. 2015. 99minsDirector Hany Abu-Assad has often focused on films that give voice to the experience of everyday Palestinians, so its no surprise that he would gravitate to the story of Mohammad Assaf, a Gazan singer who went on to win Arab Idol in 2013, becoming an underdog hero for his country. In its broad strokes,The Idol may seem like a very familiar a-star-is-born tale, but at just about every turn Abu-Assad transcends that simplicity for a more moving, complex examination of what Assaf had to go through to even enter the competition 鈥?and what the idea of winning means for someone faced with daily oppression.Without being preachy, Abu-Assad uses the quiet determination on B <a href=https://www.stanleycup.fr>stanley cup</a> arhoms face to suggest a lifetime of anguish finally being expressed through melancholy, gorgeous songs.The Idol premiered in Torontos Special Presentations section, but it seems likely to travel far beyond festivals, the films accessible, real-life narrative an easy sell for art-house audiences. Especially in countries like the US, <a href=https://www.stanleyuk.uk>stanley uk</a> where American Idol has been a hit for a good long while, the film could do re <a href=https://www.stanley-cup.us>stanley website</a> spectable business for a subtitled release, and Abu-Assads pedigree 鈥?his movies have twice been nominated for Best Foreign Language Film Oscars 鈥?will only further sweeten The Idols theatrical prospects.The movie begins in Assafs childhood, where hes played by Qais Attallah with a winning openness. Assaf and his sister Nour Hiba Attahllah
Malaysian director Tan Chui-mui and China s Yang Heng continued their awards sweep at the Hong Kong International Film Festival HKIFF yesterday where both picked up prizes in the Asian Digital Competition. Tan s Love Con <a href=https://www.cup-stanley.de>stanley cup</a> quers All, about a young woman involved in an unconventional relationship in the big city, was presented with the Golden Digital Award, while Yang s Betelnut, about two teenaged lovers, took the Silver aw <a href=https://www.stanleycups.it>stanley italy</a> ard. The two films were jointly awarded Best New Asian Filmmaker of the Year in the New Currents section of the Pusan International Film Festival last year. Love Conquers All also picked up a VPRO Tiger Award at this year s Rotterdam film festival. Betelnut was also presented with the prize of the FIPRESCI jury at the HKIFF. The jury of the Asian Digital Competition praised the high quality of the eight films in this section, particularly the Malaysian entries, which they said underlined the strength of digital filmmaking in Malaysia today. Meanwhile the Humanitarian Award for best documentary went to Bill Guttentag and Dan Sturman s Nanking, about the violent invasion of what was then China s capital in 1937. The Humanitarian Award for Outstanding Documentary went to <a href=https://www.cup-stanley-cup.ca>stanley cup</a> Israeli-French film Potosi, The Journey, directed by Ron Havilio, about the Peruvian town which once had vast silver reserves. Amongst other prizes, the SIGNIS Catholic award went to Russian director Andrei Kravchuk s The Italian, about a six-year-old boy searching for his birth mother, while Ukrk Top Spanish post-production houses unveil merger
Dir. Hany Abu-Assad. UK/Palestine/Qatar/Netherlands/UAE. 2015. 99minsDirector Hany Abu-Assad has often focused on films that give voice to the experience of everyday Palestinians, so its no surprise that he would gravitate to the story of Mohammad Assaf, a Gazan singer who went on to win Arab Idol in 2013, becoming an underdog hero for his country. In its broad strokes,The Idol may seem like a very familiar a-star-is-born tale, but at just about every turn Abu-Assad transcends that simplicity for a more moving, complex examination of what Assaf had to go through to even enter the competition 鈥?and what the idea of winning means for someone faced with daily oppression.Without being preachy, Abu-Assad uses the quiet determination on B <a href=https://www.stanleycup.fr>stanley cup</a> arhoms face to suggest a lifetime of anguish finally being expressed through melancholy, gorgeous songs.The Idol premiered in Torontos Special Presentations section, but it seems likely to travel far beyond festivals, the films accessible, real-life narrative an easy sell for art-house audiences. Especially in countries like the US, <a href=https://www.stanleyuk.uk>stanley uk</a> where American Idol has been a hit for a good long while, the film could do re <a href=https://www.stanley-cup.us>stanley website</a> spectable business for a subtitled release, and Abu-Assads pedigree 鈥?his movies have twice been nominated for Best Foreign Language Film Oscars 鈥?will only further sweeten The Idols theatrical prospects.The movie begins in Assafs childhood, where hes played by Qais Attallah with a winning openness. Assaf and his sister Nour Hiba Attahllah
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