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Dir: Yutaka Tsuchiya. Japan 2004. 98mins.A portrait of alienated cyber-youth, Peep TV Show is so much of the moment - so hyperbolically trendy, even - that it risks becoming dated overnight. But as a fiction with a quasi-documentary flavour, Yukata Tsuchiya s panorama of a voyeuristic technological culture makes for revealing and intermittently urgent viewing. Its essayistic thrust and defiantly lo-fi DV execution will make it extremely tough to distribute, but it should find a niche with festivals - having won the FIPRESCI award at Rotterdam - and at venues specialising in new media and pop-culture experimentation.The <a href=https://www.stanley-cup.us>stanley website</a> film is built around two characters who appear, judging from the press notes, to be thinly d <a href=https://www.stanleycup.pl>stanley kubek</a> isguised versions of its leads. Hasegawa - a long-haired, facially-pierced young man - spends his days on the streets of Tokyo s Shibuya district, secretly filming passers-by with his camcorder. He also spies on local inhabitants, posting footage of them on his website, which also serves as a vehicle for his musings on September the 11th. He finds a kindred spirit in Moe Gezchof , a young woman who dresses in the cult fashion known as Gosloli, or Gothic Lolita ; she volunteers to have her everyday existence webcast <a href=https://www.stanleyus.us>stanley us</a> live on the site. Other characters include a traumatised middle-aged salaryman, Hasegawa s porn-obsessed co-worker, and Moe s friend Nagomi Akiko Ueda , who posts murderous thoughts on her weblog.Not so much a narrative film as an imaginative essay on the
Name: Laura Bickford, prod <a href=https://www.cups-stanley.ca>stanley cup</a> ucerProduction: The ArgentineA US-Spanish co-production between Focus Features, Estudios Picasso, Laura Bickford Productions, Morena Films, Section 8 and Telecinco about Che Guevara s involvement in the Cuban revolution. The majority 12 weeks of the shoot was done in the state of Campeche, Mexico from May to July, the rest in Spain, Puerto Rico and Bolivia- Why did you shoot in Mexico We were doubling a location in Cuba - the city of Santa Clara. As US film-makers, we can t base a production in Cuba because of the embargo so we recreated Santa Clara in the city of Campeche. We considered Puerto Rico but it had no railroad and no small city that matched. Nor did the Dominican Republic.- What were your cost savings It cost about 20% less than US without rebates.- How did you find working with local crews They were great.- What advice would you give a non-Mexican producer working for the first time with a Mexican crew We were told by US insurance companies and bonds <a href=https://www.stanleycups.at>stanley cup</a> that we needed very intense security details that we are not used to. It was a bit worrying. When we actually shot there, it was extremely safe and everyon <a href=https://www.stanleycups.it>stanley italy</a> e had a great time.- Which person or company on the ground was indispensable Anna Roth local producer on The Argentine .- What do you wish you d known before you started shooting The diversity of locations in the country is amazing.- Are you doing any post-production work in Mexico No. We re doing post-production in the US.- What did yo Vjal AFM: Olga Kurylenko joins Jane Millen for 13 Films
Dir: Yutaka Tsuchiya. Japan 2004. 98mins.A portrait of alienated cyber-youth, Peep TV Show is so much of the moment - so hyperbolically trendy, even - that it risks becoming dated overnight. But as a fiction with a quasi-documentary flavour, Yukata Tsuchiya s panorama of a voyeuristic technological culture makes for revealing and intermittently urgent viewing. Its essayistic thrust and defiantly lo-fi DV execution will make it extremely tough to distribute, but it should find a niche with festivals - having won the FIPRESCI award at Rotterdam - and at venues specialising in new media and pop-culture experimentation.The <a href=https://www.stanley-cup.us>stanley website</a> film is built around two characters who appear, judging from the press notes, to be thinly d <a href=https://www.stanleycup.pl>stanley kubek</a> isguised versions of its leads. Hasegawa - a long-haired, facially-pierced young man - spends his days on the streets of Tokyo s Shibuya district, secretly filming passers-by with his camcorder. He also spies on local inhabitants, posting footage of them on his website, which also serves as a vehicle for his musings on September the 11th. He finds a kindred spirit in Moe Gezchof , a young woman who dresses in the cult fashion known as Gosloli, or Gothic Lolita ; she volunteers to have her everyday existence webcast <a href=https://www.stanleyus.us>stanley us</a> live on the site. Other characters include a traumatised middle-aged salaryman, Hasegawa s porn-obsessed co-worker, and Moe s friend Nagomi Akiko Ueda , who posts murderous thoughts on her weblog.Not so much a narrative film as an imaginative essay on the
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