Cqtk China box office monthly round-up: Spidey and DKR go head-to-head
Eight weeks into itsrelease, Robert Favreau s Rwandan genocide drama A Sunday In Kigali Un Dimanche A Kigali is the first Quebecois film of 2006 to pass theC$1m $900,000 benchmark at the lo <a href=https://www.cup-stanley.uk>stanley cup</a> cal box office. Shot on location in Rwanda,the film stars veteran Quebec star Luc Picard and Senegalese actress FatouN Diaye. It was produced by Lyse Lafontaine and Michael Mosca, and wasdistributed in Canada by Equinoxe Films. Based on A Sunday at the Pool inKigali , the critically-acclaimed novel by Quebec journalist Gil Courtemanche,it is the first feature to be produced under the Equinoxe Productions banner,which fully financed the production. In a statement, Mosca,senior vice-president and COO of Equinoxe Films, credited word of mouth fordriving viewers to a difficult film through a market crowded with blockbusters.The film will open in English Canada in the autumn. Equinoxe expects to startselling the film internationally at Toronto. No comments Related articles News Canadas Equinoxe Films quits distribution 2009-09-02T10:11:00Z By Denis Seguin <a href=https://www.stanleycups.com.mx>stanley cup</a> Montreal-based distributor Equinoxe Films is pulling out of distribution <a href=https://www.stanleycups.ro>stanley cup</a> after its Xavd Ledger to be honoured by Brisbane Film Festival
It may be at the whim of political and economic upheavals, and have a p <a href=https://www.stanleyuk.uk>stanley uk</a> opulation of only 3.9 million, but Lebanon s film-makers are punching above their weight. An <a href=https://www.stanleyus.us>stanley us</a> tonia Carver reports. It used to be possible to count on one hand the Lebanese films that had broken out internationally. But despite the territory s difficulties, Lebanese directors are becoming a fixture on the festival circuit, with a new generation of film-makers exploring fresh themes.Nadine Labaki s debut Caramel pictured above was one of the hits of Directors Fortnight at Cannes this year, selling to more than 30 territories, while Philippe Aractingi s Under The Bomb is screening at <a href=https://www.cups-stanley-cups.ca>stanley canada</a> Venice. More and more films are selected by festivals, and there s increasing interest from the press, says Thierry Lenouvel of France s Cine-Sud, which co-produced Michel Kammoun s festival hit Falafel. Cine-Sud is now developing up-and-coming director Dima El Horr s Every Day Is A Holiday, supported by France s CNC, Lebanon s Taxi Film and Germany s Niko Film. Lebanese directors are hungry to tell original stories, says Francois Yon of Films Distribution, which has just taken on world sales for Hany Tamba s Melodrama Habibi. The level of the scripts we receive is high. It helps that Lebanon is a regional talent hotspot with an entrenched film culture. It dominates the regional advertising and Arabic music video industries, while Beirut has five film schools - as many as the rest of the region put together.Artists associat
Eight weeks into itsrelease, Robert Favreau s Rwandan genocide drama A Sunday In Kigali Un Dimanche A Kigali is the first Quebecois film of 2006 to pass theC$1m $900,000 benchmark at the lo <a href=https://www.cup-stanley.uk>stanley cup</a> cal box office. Shot on location in Rwanda,the film stars veteran Quebec star Luc Picard and Senegalese actress FatouN Diaye. It was produced by Lyse Lafontaine and Michael Mosca, and wasdistributed in Canada by Equinoxe Films. Based on A Sunday at the Pool inKigali , the critically-acclaimed novel by Quebec journalist Gil Courtemanche,it is the first feature to be produced under the Equinoxe Productions banner,which fully financed the production. In a statement, Mosca,senior vice-president and COO of Equinoxe Films, credited word of mouth fordriving viewers to a difficult film through a market crowded with blockbusters.The film will open in English Canada in the autumn. Equinoxe expects to startselling the film internationally at Toronto. No comments Related articles News Canadas Equinoxe Films quits distribution 2009-09-02T10:11:00Z By Denis Seguin <a href=https://www.stanleycups.com.mx>stanley cup</a> Montreal-based distributor Equinoxe Films is pulling out of distribution <a href=https://www.stanleycups.ro>stanley cup</a> after its Xavd Ledger to be honoured by Brisbane Film Festival
It may be at the whim of political and economic upheavals, and have a p <a href=https://www.stanleyuk.uk>stanley uk</a> opulation of only 3.9 million, but Lebanon s film-makers are punching above their weight. An <a href=https://www.stanleyus.us>stanley us</a> tonia Carver reports. It used to be possible to count on one hand the Lebanese films that had broken out internationally. But despite the territory s difficulties, Lebanese directors are becoming a fixture on the festival circuit, with a new generation of film-makers exploring fresh themes.Nadine Labaki s debut Caramel pictured above was one of the hits of Directors Fortnight at Cannes this year, selling to more than 30 territories, while Philippe Aractingi s Under The Bomb is screening at <a href=https://www.cups-stanley-cups.ca>stanley canada</a> Venice. More and more films are selected by festivals, and there s increasing interest from the press, says Thierry Lenouvel of France s Cine-Sud, which co-produced Michel Kammoun s festival hit Falafel. Cine-Sud is now developing up-and-coming director Dima El Horr s Every Day Is A Holiday, supported by France s CNC, Lebanon s Taxi Film and Germany s Niko Film. Lebanese directors are hungry to tell original stories, says Francois Yon of Films Distribution, which has just taken on world sales for Hany Tamba s Melodrama Habibi. The level of the scripts we receive is high. It helps that Lebanon is a regional talent hotspot with an entrenched film culture. It dominates the regional advertising and Arabic music video industries, while Beirut has five film schools - as many as the rest of the region put together.Artists associat
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