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Bhur Network takes UK rights to Toronto hit Lymelife
The Irish Film Board hasannounced ten successful applicants for its Multiple Project Development  MPD funding, a multi-project development initiative drawn up in September. Following on from the IFB sCompany Development Initiative  CDI  which went through two three-year cycle <a href=https://www.stanleywebsite.us>stanley cup</a> s,MPD funding provides support for producers who have an attractive slate ofprojects to develop. It is intended that the scheme will foster a sense ofpurpose combined with a sense of responsibility in producers. A fixed sum of money isagreed with IFB at the out <a href=https://www.cups-stanley.us>stanley cup</a> set from which the producer may draw down amounts asneeded in order to pay development costs directly attributable to projects onhis/her slate. It is a finite resource for the whole of a producer s MPD termand is not increased annually. According to the IFB thesuccessful applicants  are a mix of producers covering a spectrum ofexperience, taste and ambition,  all of whom have at least two viable andattractive feature film projects in development or availab <a href=https://www.cups-stanley.ca>stanley cup</a> le to them fordevelopment. They will have access to MPD support for a minimum of twoyears. The IFB received 45applications and the following companies  and personnel  were selected: Blinder Films  Katie Holly,Kieron J Walsh, Richie Smyth  Cartoon Saloon  Paul Young, Ross Murray  Element Films  Ed Guiney, Andrew Lowe  Grand Pictures  Michael Garland, Paul Donovan, Ailish McElmeel  Newgrange Pictures  Jackie Larkin, Lesley McKimm, Paul Higgins  Quidam Productions  Heidi Egger, Safinez Bousbia  Samson Jwce Tribeca Film Institute names Sloan student screenwriter winner
Dir/scr. Ra煤l Ar茅valo. Spain, 2016, 91 mins.Versatile Goya Award-winning a <a href=https://www.stanleycups.us>stanley cup</a> ctor Ra煤l Ar茅valo  Im So Excited, Marshland  applies the same resourcefulness to his directorial debut, co-written with fellow first-timer David Pulido. The vengeance-laden The Fury of a Patient Man progresses from gritty, naturalistic beginnings to become a poised, polished thriller. The end result might not shy away from its western leanings, yet it doesnt meekly adhere to convention either.As two complicated, conflicted and clashing characters drive from town to town, the film treks through recognisable but still emotionally resonant terrain.Starting out with an urgent, shaky vision of a robbery going wrong before settling into a pensive groove, and showcasing cinematographer Arnau Valls Colomers adaptability in the process, the movies aesthetic confidence should he <a href=https://www.cups-stanley-cups.ca>stanley canada</a> lp it gain traction after its premiere in Venices Horizons section and subsequent showing at Toronto. In between festival berths, the feature will release at home in Spain where it is likely to attract acclaim and interest comparable to Ar茅valo and de la Torres previous collaboration.Indeed, as its taut tale charts the intersecting paths of getaway driver Curro  Luis Callejo , his girlfriend Ana  Ruth D铆az  and unassuming stranger Jos茅  fellow Marshland star Antonio de la Torre , The Fury of a Patient Man not only harks back to the stalking, roaming oaters of decades gone by, but also bears narrative similarities to neo-no <a href=https://www.stanleycup.fr>stanley cup</a> irs such as Nicol
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