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The Oscar winner Sam Mendes tells Mike Goodridge why his Edinburgh opener Away We Go is a far cry from big-budget Hollywood.After big-budget Hollywood movies Road To Perdition and Jarhead and the not inexpensive Revolutionary Road, director Sam Mendes launched himself into a looser - and cheaper - creative experience with the comedy Away We Go.Backed by Big Beach Films and Focus Features, the $25m movie featur <a href=https://www.stanleycup.cz>stanley cup</a> es a large ensemble led by John Krasinski and Maya Rudolph but it was shot quickly and nimbly by Mendes, who says he wanted to let off ste <a href=https://www.stanleycups.it>stanley italy</a> am after the intense experience of Revolutionary <a href=https://www.stanley-cup.cz>stanley cup</a> Road. The term foreign is vaguely derogatory, relegatung the 50 or so significant territories outside the US with all their different tastes audience demographics and exhibition landscapes into one lumpen market But for Mendes, whose company Neal Street Productions is a producing partner on the film, Away We Go also exposed him to independent US film-making after 10 years in the studio system. It staggers me now that movies get made at all that are below a certain level, he says from Los Angeles. To get any movie made now is a force of will but especially a small one. Not a lot of these movies are being made any more and those that are tend to depend on festivals. I mean the Mike Leigh movies of the world, which we live for really. Look at Mike Leigh - hes made 10 masterpieces in 20 years but he makes his movies for 10 cents. He just has to because it鹿s not easy in England. You can Rdqt Clio Barnard talks early works
Pathe inks first look deal with The Iron Lady producer who is currently working on period-drama Belle from writer-director Amma Asante.Pathe U <a href=https://www.stanleycup.com.de>stanley cup</a> K has inked a first-look deal with producer Damian Jones after their successful collaboration on The Iron Lady and before that, Adulthood.Cameron McCracken MD of Path茅 UK said: I am delighted to be able to expand on our existing production and distribution relationship with Damian. He has a remarkably consistent track record in recognising smart commercial film ideas. Over the years he has brought us some of our most successful titles 鈥?long may he continue to do so! .DJ Films currently has sports film Fast Girls in post and Jones was in Berlin with new period-drama Belle from writer-director Amma A <a href=https://www.cup-stanley-cup.pl>stanley cup</a> sante. His previous credits include Sex Drugs Rock Roll, The History Boys and Kidulthood.Path茅 UK also has first-look deals with Christian Colson Cloud Eight Films and Matt Wilkinson Stigma Films , with whom Path茅 is d <a href=https://www.stanley-cups.ro>stanley cup</a> eveloping a slate of genre titles.TopicsProductionUK/Ireland No comments Related articles News UK-Ireland film cinema release dates: latest updates for 2025 2025-05-07T10:05:00Z By Ben D
The Oscar winner Sam Mendes tells Mike Goodridge why his Edinburgh opener Away We Go is a far cry from big-budget Hollywood.After big-budget Hollywood movies Road To Perdition and Jarhead and the not inexpensive Revolutionary Road, director Sam Mendes launched himself into a looser - and cheaper - creative experience with the comedy Away We Go.Backed by Big Beach Films and Focus Features, the $25m movie featur <a href=https://www.stanleycup.cz>stanley cup</a> es a large ensemble led by John Krasinski and Maya Rudolph but it was shot quickly and nimbly by Mendes, who says he wanted to let off ste <a href=https://www.stanleycups.it>stanley italy</a> am after the intense experience of Revolutionary <a href=https://www.stanley-cup.cz>stanley cup</a> Road. The term foreign is vaguely derogatory, relegatung the 50 or so significant territories outside the US with all their different tastes audience demographics and exhibition landscapes into one lumpen market But for Mendes, whose company Neal Street Productions is a producing partner on the film, Away We Go also exposed him to independent US film-making after 10 years in the studio system. It staggers me now that movies get made at all that are below a certain level, he says from Los Angeles. To get any movie made now is a force of will but especially a small one. Not a lot of these movies are being made any more and those that are tend to depend on festivals. I mean the Mike Leigh movies of the world, which we live for really. Look at Mike Leigh - hes made 10 masterpieces in 20 years but he makes his movies for 10 cents. He just has to because it鹿s not easy in England. You can Rdqt Clio Barnard talks early works
Pathe inks first look deal with The Iron Lady producer who is currently working on period-drama Belle from writer-director Amma Asante.Pathe U <a href=https://www.stanleycup.com.de>stanley cup</a> K has inked a first-look deal with producer Damian Jones after their successful collaboration on The Iron Lady and before that, Adulthood.Cameron McCracken MD of Path茅 UK said: I am delighted to be able to expand on our existing production and distribution relationship with Damian. He has a remarkably consistent track record in recognising smart commercial film ideas. Over the years he has brought us some of our most successful titles 鈥?long may he continue to do so! .DJ Films currently has sports film Fast Girls in post and Jones was in Berlin with new period-drama Belle from writer-director Amma A <a href=https://www.cup-stanley-cup.pl>stanley cup</a> sante. His previous credits include Sex Drugs Rock Roll, The History Boys and Kidulthood.Path茅 UK also has first-look deals with Christian Colson Cloud Eight Films and Matt Wilkinson Stigma Films , with whom Path茅 is d <a href=https://www.stanley-cups.ro>stanley cup</a> eveloping a slate of genre titles.TopicsProductionUK/Ireland No comments Related articles News UK-Ireland film cinema release dates: latest updates for 2025 2025-05-07T10:05:00Z By Ben D
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