Some smart exhibitors are looking to get into the VOD business and extend their reach beyond the first window. It makes sense.Whenever I ask anyone what caused the decline in DVD sales that is threatening to change the film business, I get a different answer. The consumer finally realised that a DVD was wildly overpriced compared to manufacturing cost, said one. Kids these days dont need to own films, they want them on their hard drive like iTunes, said another. They take up too much space in the home, said another. They were a quick victim of the new economic reality, and many households stopped buying when times got tough, said yet another. Pirated DVDs are cheaper and quicke <a href=https://www.stanleycup.cz>stanley cup</a> r, added someone else. Perhaps the decline came about through a combination of all those theories. Certainly consumers are changing the way they consume, apparently as happy to watch movies on iPad or iPod as on a 40-inch TV screen. Actually I dont mean to write <a href=https://www.cup-stanley.uk>stanley uk</a> musings here about viewing habits. I mean to address the premium VOD spat that has broken out between exhibitors and distributors that is the latest skirmish in the battle over windows. But they are part of the same problem. The way a new generation of film-lovers consume movies is at the heart of this debate. The studios are only responding to their needs, whereas exhibitors, many who admit are more concerned about damaging concessions sales than the nature of film finance and recoupment, continue to focus rigidly on protecting <a href=https://www.stanleycups.com.mx>stanley cup</a> the first window Jsze Cinema Without Borders to honour Darryl Macdonald
Disneys The Good Dinosaur is the weeks highe <a href=https://www.stanley-cups.com.de>stanley cup</a> st new entry with $4.4m 拢2.9m from 513 sites.LIONSGATEFalling around 50% excluding previews , The Hunger Games: Mockingjay - Part 2 still had more than enough to retain top spot at the UK box office over a busy weekend of new releases.Lionsgates climactic chapter in the young adult franchise took a further non-final $6.8m 拢4.53m for an 11-day tally of $29m 拢19.32m . At the same stage, Catching Fire stood at $32.4m 拢21.59m and Mockingjay - Part 1 had grossed $31.9m 拢21.25m .By the end of next week, Mockingjay - Part 2 should be close to overtaking The Hunger Games $36m 拢24m UK haul, but Part 1s $46.7m 拢31.1m result could well be a trickier target to match.Also for Lionsgate, Brooklyn added $299,000 拢199,177 for $6.5m 拢4.35m after four weeks in play.DISNEYThe weeks highest n <a href=https://www.stanleycups.us>stanley us</a> ew entry came in the form of Disneys The Good Dinosaur as it beat spies and gangsters to chart second.Pixars second outing of 2015 took $4.4m 拢2.9m from its 519 <a href=https://www.stanley-cup.us>stanley cup</a> sites which does rank as the second lowest Pixar debut, ahead of only Cars $4m 拢2.67m from its 513 sites.However, with Christmas just around the corner and no family competition until The Peanuts Movie on Dec 21, The Good Dinosaur is far from extinct at the UK box office and is likely to have a lengthy run.SONYFalling 44% in its fifth weekend, Sonys Spectre shot to a further $3.3m 拢2.2m as it dropped to third.The latest James Bond mission is now up to a mighty $132.7m 拢88.4m after 3