Dir: Jerzy Skolimowski. France-Poland. 2008. 93mins.Veteran Polish auteur Jerzy Skolimowski crafts a delicate tragi-comic parable of love in his first film since 1991s Ferdydurke. But though this story of a maladjusted misfits voyeuristic passion for a nurse has small moments of delight, this doesnt stop it from dragging. There is about enough material here for a thirty-minute short, and its only Artur Sterankos absorbing one-man act as a lovelorn village simpleton that stops a stretched film from feeling even thinner.Commercially, arthouse audiences and possibly buyers of a certain age could rise to the bait, lured by Skolimowskis comeback - he turns 70 this month. It helps that the film is well-shot and resonant with allegory; but respect, rather than enthusiasm, will dominate reactions, and likely confine the films p <a href=https://www.cup-stanley.us>stanley usa</a> aying public to an older film-buff demographic.Leon Okrasa Steranko lives alone with his ailing grandmother i <a href=https://www.cup-stanley.co.uk>stanley cup</a> n a damp-ridden house on the grounds of a provincial hospital, where he works in the incinerator room. Hes a cowed, lonely man with a sad smile and a furtive walk, who is terrified and paralysed by ordinary human contact. But were soon co <a href=https://www.cups-stanley-cups.us>stanley cup</a> axed into sympathy with Leon and his obsession - Anna Preis , a full-figured blonde nurse who works at the hospital and lives just across the yard from him. Gradually a portrait of two lonely people emerges - one a social pariah, the other a popular party girl.Brief flashbacks attempt to boost the slight storys dram Thlh Hawke, Linklater Co go Dogme-style for InDigEnt
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