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The South Australian Film <a href=https://www.stanleywebsite.us>stanley website</a> Corporation SAFC today announced the first four teams to be part of FilmLab, an initiative that aims to produce eight low-budget features within four years.They are:director Sophie Hyde, writer Matthew Cormack and producer Bryan Mason from Closer Productionswriter/director Eddie White and producer Hugh Nguyen of the Peoples Republic of Animationwriter/director Matt Bate of Plexus Films, who is working with producer Julie Ryan of Cyan Filmswriter/director Ashlee Page and Sonya Humphrey of Sacred CowThey were chosen from 41 filmmaking teams, with a total of 95 ideas.The $3.2 million A$4.2m scheme aims to develop the next generation of local film-makers 鈥?something the SAFC has not historically been good at 鈥?from initial concept right through delivery and marketing.While none of the directors have completed a feature before, all are accomplished in short films or documentaries.Details of the features have yet to be released but the selection panel included Scott Meek, a consultant for Screen Australia and producer, and development executive Stephen Cleary of Arista.The mentors will include directors <a href=https://www.stanley-cups.it>stanley italy</a> Phillip Noyce Rabbit-Proof Fence , Rolf de Heer Ten Canoes and Greg McLean Wolf Creek , producers Mark Herbert from Warp X Films in the UK and Antonia Barnard Last Ride and Adelaide Film Festival director Katrina Sedgwick.TopicsAustraliaFunding News No comments <a href=https://www.stanleycups.it>stanley cup</a> Related Lzyw Oscar-winning composer Andr茅 Previn dies aged 89
The Russian director of Wanted and the Night Watch takes a break <a href=https://www.stanleycup.ro>stanley romania</a> from shooting Ben-Hur in Italy to tell Elbert Wyche about his producer role on a new genre he calls screenmovie.Unfr <a href=https://www.stanley-cups.es>stanley cup</a> iended opened last weekend via Un <a href=https://www.stanley-cups.com.de>stanley cup</a> iversal and takes place entirely on the computer screen of its protagonist as she and a group of online friends are terrorised by a deceased classmate.Leo Gabriadze directed from a screenplay by Nelson Greaves. Bekmambetov produced alongside Greaves, while genre guru Jason Blum served as executive producer on the Bazelevs Production and Blumhouse productions cyberhorror.The sub-$1m film production at number three in North America on $15.8m and grossed $55,130 from its first international forays in Lithuania and Slovenia. It opens in the UK on May 1.Tell me about how you came up with the idea for what you have termed a screenmovie Because I live between Moscow and Los Angeles, Im constantly on Skype. Whether Im co-writing, directing or rehearsing with actors, Im always communicating with my colleagues on Skype. I spend maybe 10 to 12 hours a day online. Its a part of my life and a part of millions of peoples lives. <I>thought] we should probably make movies about it.Why do you think watching a persons online activity on a movie screen would be interesting I was on Skype with my colleague 鈥?we were writing something together 鈥?and we used whats called shared screen mode. He forgot about it and I saw everything that he was doing. He was checking email and chatting with
The South Australian Film <a href=https://www.stanleywebsite.us>stanley website</a> Corporation SAFC today announced the first four teams to be part of FilmLab, an initiative that aims to produce eight low-budget features within four years.They are:director Sophie Hyde, writer Matthew Cormack and producer Bryan Mason from Closer Productionswriter/director Eddie White and producer Hugh Nguyen of the Peoples Republic of Animationwriter/director Matt Bate of Plexus Films, who is working with producer Julie Ryan of Cyan Filmswriter/director Ashlee Page and Sonya Humphrey of Sacred CowThey were chosen from 41 filmmaking teams, with a total of 95 ideas.The $3.2 million A$4.2m scheme aims to develop the next generation of local film-makers 鈥?something the SAFC has not historically been good at 鈥?from initial concept right through delivery and marketing.While none of the directors have completed a feature before, all are accomplished in short films or documentaries.Details of the features have yet to be released but the selection panel included Scott Meek, a consultant for Screen Australia and producer, and development executive Stephen Cleary of Arista.The mentors will include directors <a href=https://www.stanley-cups.it>stanley italy</a> Phillip Noyce Rabbit-Proof Fence , Rolf de Heer Ten Canoes and Greg McLean Wolf Creek , producers Mark Herbert from Warp X Films in the UK and Antonia Barnard Last Ride and Adelaide Film Festival director Katrina Sedgwick.TopicsAustraliaFunding News No comments <a href=https://www.stanleycups.it>stanley cup</a> Related Lzyw Oscar-winning composer Andr茅 Previn dies aged 89
The Russian director of Wanted and the Night Watch takes a break <a href=https://www.stanleycup.ro>stanley romania</a> from shooting Ben-Hur in Italy to tell Elbert Wyche about his producer role on a new genre he calls screenmovie.Unfr <a href=https://www.stanley-cups.es>stanley cup</a> iended opened last weekend via Un <a href=https://www.stanley-cups.com.de>stanley cup</a> iversal and takes place entirely on the computer screen of its protagonist as she and a group of online friends are terrorised by a deceased classmate.Leo Gabriadze directed from a screenplay by Nelson Greaves. Bekmambetov produced alongside Greaves, while genre guru Jason Blum served as executive producer on the Bazelevs Production and Blumhouse productions cyberhorror.The sub-$1m film production at number three in North America on $15.8m and grossed $55,130 from its first international forays in Lithuania and Slovenia. It opens in the UK on May 1.Tell me about how you came up with the idea for what you have termed a screenmovie Because I live between Moscow and Los Angeles, Im constantly on Skype. Whether Im co-writing, directing or rehearsing with actors, Im always communicating with my colleagues on Skype. I spend maybe 10 to 12 hours a day online. Its a part of my life and a part of millions of peoples lives. <I>thought] we should probably make movies about it.Why do you think watching a persons online activity on a movie screen would be interesting I was on Skype with my colleague 鈥?we were writing something together 鈥?and we used whats called shared screen mode. He forgot about it and I saw everything that he was doing. He was checking email and chatting with
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