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Vcld Winterbottom not shooting Goal!
Screen Gems  dance dr <a href=https://www.cup-stanley.us>stanley usa</a> ama Stomp The Yard dance musical did a number on Fox s Night At The Museum as it toppled the former champion with an estimated $22m opening.The film followed in the footsteps of Glory Road and Coach Carter as the latest release with in-built appeal to black audiences to reign supreme over the Martin Luther King Day holiday weekend.Night At The Museum fell to second and raised its tally after four weekends by $17.1m to $185.8m. Sony s drama The Pursuit Of Happyness slipped one to third on $9.1m for $134.5m after five.Paramount s Dreamgirls maintained its stealthy box office course in the run-up to Monday s Golden Globes and the Oscar nominations a week later and ranks fourth on $64.9m after five weekends.The other  <a href=https://www.cup-stanley.uk>stanley cup</a> three new openers were led by the drug drama Alpha Dog starring Emile Hirsch, which debuted in seventh place on $6.1m. Buena Vista s thriller Primeval opened in eighth on $6m, while the French animated feature Arthur And The Invisibles debuted through TWC/MGM in ninth place on $4.3m.Picturehouse s Pan s Labyrinth added $727,066 from 44 screens in its second weekend and has amassed $1.8m. The fantasy drama is playing chiefly in Los Angeles.Estimated Top Ten North America Jan 12-14, 2006Film  Distributor /International distribution/Estimated weekend gross/Estimated total to  <a href=https://www.cups-stanley.us>stanley cup</a> date1  -  Stomp The Yard  Screen Gems  SPRI $22m -2  1  Night At The Museum  Fox  Fox Int l $17.1m $185.8m3  2  The Pursuit of Happyness  Sony  SPRI $9.1m $134.5m4  5  Dreamgirl Adxf I Am Eleven
Dir: Richard Parry. UK. 2011 85minsThis entry in the found footage horror cycle knowingly plays variations on The Blair Witch Pro <a href=https://www.stanleymug.us>stanley mug</a> ject. Again, two guys and a girl venture into haunted woods, toting video equipment, and ambiguously lose their way, turning on each other as they are perhaps pestered by external forces. As a Blair Witch-style caption, similar to the one used in Troll Hunter, confirms 鈥?these people remain missing, and their fate is unconfirmed.It does have its effective scares and point <a href=https://www.stanley-cup.us>stanley cup</a> ed moments of human cruelty.However, the familiar ingredients are scrambled in a different way, most notably in the use of a British setting  Dartmoor and nearby woodland  and the way that the local legend of the Huntsman is mostly set aside while the unease comes from interactions within the central trio.It also makes the compulsion to film everything as much a source of the horror as <a href=https://www.stanley-cup.us>stanley website</a>  a necessary plot convenience, with some of the most memorable moments hinging on the audiences realisation that whoever is holding the camera has decided to record someone elses crisis rather than help them. The film premiered at last years Fright Fest genre festival in the UK.British Kerry Hastings  Anna Skellern  is in a relatio nship with American Brody Cartwright  Scoot McNairy, of Monsters  but already exasperated with his tendency to film their every waking  and some of her sleeping  moment, even as she doesnt realise it extends to setting up spy-cameras as well as more obvious surveillance. The
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