Sales agent Fortissimo Films has signed off withdistributors from a range of territories on Cannes Un Certain Regard title Somersault,including Metrodome for the UK, Prokino for Germany and Austria, and Vision forFrance.Somersault was the only Australian film inofficial selection at Cannes. It is the debut feature for both writer/directorCate Shortland, producer Anthony Anderson, and his production company RedCarpet Productions, although it had the guiding hand of executive producer JanChapman, producer of Lantana and The Piano.Other buyers to date include EP Italy , LNK Portugal Audiovisual Greece , Intercinema Russia , Solopan Poland , Look Now Switzerland , Cinel <a href=https://www.stanleycups.it>stanley cup</a> ibre Belgium and Luxemburg and A Films Netherlands . Itis being released in Au <a href=https://www.stanley-cups.de>stanley cup</a> stralia by Hopscotch in September. No comments No comments yet You re not signed in <a href=https://www.stanley-mug.us>stanley cup</a> . Only registered users or subscribers can comment on this article. Sign in Register Yjtw The Extra Man, Hipsters bookend 12th RiverRun
After 18 long months of fruitless talks, Katriel Schori has officially withdrawn his <a href=https://www.stanleycups.us>stanley us</a> candidacy for the top executive job at the Jerusalem Cinematheque.Had he taken the role, hewould havebecome not only head of the Cinematheque but also of the Jerusalem Film Festival and the Israeli Film Archive. Approached in the spring of 2006 to take over from founder and all-round chief of the institution, Lia Van Leer - whowas to move to an honorary position at the top of the pyramid.Schori has been trying to arrive at an agreement with the Van Leer, Ostrovsky and Jerusalem foundations - the three organisations responsible for financing most of the Jerusalem operations, but had reached a dead end. He suggested stepping out of the raceseveral times, the last time immediately after the Festival in July, but had been asked to delay his final decision for a little while longer.Schori, generally considered the single most influential person in the Israeli film industry, has <a href=https://www.stanleycup.fr>stanley cup</a> been the head of the Israeli Film Fund for t <a href=https://www.stanleycup.com.de>stanley cup</a> he last nine years and has been instrumental, to a great extent, in the quantum leap recently registered by Israeli films, both at home and abroad. Now, that he has put the Jerusalem option firmly behind him, he has reconfirmed his commitment to the Fund and is right now recognition and an adequate budget for its future operations. The main contender for the Jerusalem job is now Ilan de Vries, who was in charge of the combined Cinematheque, Festival and Archive administration for