As the Oscars approach, the showdown between Avatar and The Hurt Locker has tapped into a wider issueTh <a href=https://www.cup-stanley.uk>stanley uk</a> e Academy Awards ceremony on Sunday appears to have turned into a showdown between two very different films 鈥?Avatar and The Hurt Locker. One is a 20th Century Fox blockbuster which cost around $280m to produce, the other an independently financed labour of love which cost under $15m, a budget that was patched together through producer equity, hedge fund investment and pre-sales. The former has grossed over $710m in the domestic market, the latter $12.7m. Even though there are many other admired films in the mix 鈥?Inglourious Basterds, Precious, Up In The Air et al 鈥?awards to date hav <a href=https://www.stanleycups.com.mx>stanley cup</a> e favoured these two, while the media has lapped up a David versus Goliath battle which is even spicier since the films directors used to be married. But if the media has constructed an artificial head-to-head between the two films for the sake of headlines, it ha <a href=https://www.stanleycups.at>stanley cup</a> s accidentally tapped into a much wider issue in English-language cinema of which these two films are emblematic. In the left corner is a film out of reach of independent film-makers, a lavish spectacle in stunning 3D images which has given new heft to the term event . It is pure fantasy dominated by special effects, a film which could only be made by the Hollywood system and a standard-bearer for tentpole movie-making. Avatar is the future of the studio system. In the right corner is a film which probably couldnt have got financed i Eoaq Lourdes scoops Gold Giraldillo for best film at Seville
Video highlights from the opening day and whats coming up on the final day of the event.The Media Production Show takes place 13-14 June at Londons Olympia. Check out highlights of the first day below or on mobile HERE .Click for more information and to register to attendWhats coming up on the final day of the event:CINEMATOGRAPHERS MASTERCLASS - 10:30With: Adam Etherington, DoP; Ben Smithard BSC, DoP; Graeme Dunn, DoP; Stephen Foote, DoP; Steve Saunderson, DoPChair: Will Strauss, acting editor, Broadcast TECHEDITORS MASTERCLASS: TV - 10:45With: Christopher Bird, editor; James Page, editor; Mark Talbot-Butler, senior editor credits: Top Gear Chair: Elouise Carden, joint managing director, Rapid PicturesNURTURING VFX TALENT - 11:00With: Clare Norman, Head of Production, Milk; Davi Stein, Head of Compositing, Course Leader, Escape Studios; John Rowe, head of digital vfx, NFTSChair: Priyanka Balasubramanian, VES Treasurer and MD, Hula HoopYOUTUBE AND BEYOND - 11:30With: Caspar Lee, YouTuber; Dom Smales, managing director, Gleam Futures; Joe Suggs, You <a href=https://www.cups-stanley.fr>stanley cup</a> TuberChair: Alex Farber, digital editor, BroadcastPRODUCTION DESIGNERS VFX SHOWCASE - 11:30With: Henry Badgett, VFX supervisor, BlueBolt VFX; Sonja Klaus, production designerChair: Alexandra Zeevalkink, publishing manager, The KnowledgeCOLOURISTS: THE LONG AND SHORT OF IT - 12:00With: Alex Gasgoine, colourist, Technicolor; Chris Rodgers, colourist, Molinare; Mick Vincent, colourist, The MillC <a href=https://www.stanleycups.us>stanley cup</a> hair: Neil Hatton, chi <a href=https://www.stanleyuk.uk>stanley uk</a> ef executiv