Ljyt Veggie empire goes on global Odyssey
Former editor Quentin Falk looks back at the launch of Screen International into the troubled industry waters of 1975.It was the year of Jaws, The Rocky Horror Picture Show an <a href=https://www.stanleywebsite.us>stanley cup</a> d One Flew Over the Cuckoos Nest.Elsewhere, as Hollywood reported that film piracy was costing the studios $930m 拢400m at the time a year, UK studios lay empty as local production dwindled alarmingly. Future grim, the parochial powers-that-b <a href=https://www.cups-stanley.us>stanley cup</a> e muttered predictably.In 1975, these ups and downs of the global film industry were reported dutifully in the Wardour Street-based publication CinemaTV Today, latest heir to a long line of UK trade papers stretching back through Todays Cinema, Kine Weekly and Cinematographic Journal to the splendidly named Optical Magic Lantern And Photographic Enlarger, which did stout service in an embryonic industry before the turn of the 20th century.Early that year, as a great local debate was raging over the future of film censorship in this country 鈥?should the BBFC continue much as before or was it time for self-regulation instead 鈥?a meeting was taking place at one of Londons more fashionable restaurants. The host was Peter King, from a cinema-owning family, who, after Oxford and working at the <a href=https://www.stanleycup.cz>stanley cup</a> Bar, had switched successfully to the role of a highly paid executive with, first, US giant Paramount, then EMI.Policy disagreements and arguments lead to his eventual resignation from both companies, however, and in 1974 King found himself jobless and in some financial strife fo Nejw Balls Of Fury
Deepak Nayar s original idea in hatching Filmaka in late 2006 was to create a platform for pitching material that would then be judged by peers and a panel of A-list judges.The concept was that aspiring film-makers submit one to three-minute short films to the site on designated themes. Every month, the community of film-makers select the 10 highest-quality films and five to 10 additional films are selected by Filmaka executives. Those 15-20 members receive $500 each.They are then invited into the jury round in which they make a second film. On delivery of those films, they receive $1,000 each. In this round, Nayar explains, judges such as Wim Wenders, Werner Herzog, Zak Penn, Colin Firth, Neil LaBute, Bill Pullman, Paul Schrader and John Madden choose the winner for the month. If you were submitting films to a festival, this is the level of what the jury would comprise, says Nayar, whose producing credits include Buena Vista Social Club, Bend It Like Beckham and Lost Highway. Every <a href=https://www.stanley-cup.us>stanley cup</a> month, three winners are selected - first prize, second prize and special jury prize - by the jury member <a href=https://www.stanleyuk.uk>stanley uk</a> s. The first-prize winner collects $3,000 and the second $2,000.At the end of the year, 36 monthly winners and three wildcard entries enter the final annual contest on a different theme. The winner of the <a href=https://www.stanleycups.pl>stanley kubek</a> annual contest will then make a feature produced by Nayar under the Filmaka banner.More than 3,600 young film-makers from 95 countries have so far participated in the Filmaka contests - a com
Former editor Quentin Falk looks back at the launch of Screen International into the troubled industry waters of 1975.It was the year of Jaws, The Rocky Horror Picture Show an <a href=https://www.stanleywebsite.us>stanley cup</a> d One Flew Over the Cuckoos Nest.Elsewhere, as Hollywood reported that film piracy was costing the studios $930m 拢400m at the time a year, UK studios lay empty as local production dwindled alarmingly. Future grim, the parochial powers-that-b <a href=https://www.cups-stanley.us>stanley cup</a> e muttered predictably.In 1975, these ups and downs of the global film industry were reported dutifully in the Wardour Street-based publication CinemaTV Today, latest heir to a long line of UK trade papers stretching back through Todays Cinema, Kine Weekly and Cinematographic Journal to the splendidly named Optical Magic Lantern And Photographic Enlarger, which did stout service in an embryonic industry before the turn of the 20th century.Early that year, as a great local debate was raging over the future of film censorship in this country 鈥?should the BBFC continue much as before or was it time for self-regulation instead 鈥?a meeting was taking place at one of Londons more fashionable restaurants. The host was Peter King, from a cinema-owning family, who, after Oxford and working at the <a href=https://www.stanleycup.cz>stanley cup</a> Bar, had switched successfully to the role of a highly paid executive with, first, US giant Paramount, then EMI.Policy disagreements and arguments lead to his eventual resignation from both companies, however, and in 1974 King found himself jobless and in some financial strife fo Nejw Balls Of Fury
Deepak Nayar s original idea in hatching Filmaka in late 2006 was to create a platform for pitching material that would then be judged by peers and a panel of A-list judges.The concept was that aspiring film-makers submit one to three-minute short films to the site on designated themes. Every month, the community of film-makers select the 10 highest-quality films and five to 10 additional films are selected by Filmaka executives. Those 15-20 members receive $500 each.They are then invited into the jury round in which they make a second film. On delivery of those films, they receive $1,000 each. In this round, Nayar explains, judges such as Wim Wenders, Werner Herzog, Zak Penn, Colin Firth, Neil LaBute, Bill Pullman, Paul Schrader and John Madden choose the winner for the month. If you were submitting films to a festival, this is the level of what the jury would comprise, says Nayar, whose producing credits include Buena Vista Social Club, Bend It Like Beckham and Lost Highway. Every <a href=https://www.stanley-cup.us>stanley cup</a> month, three winners are selected - first prize, second prize and special jury prize - by the jury member <a href=https://www.stanleyuk.uk>stanley uk</a> s. The first-prize winner collects $3,000 and the second $2,000.At the end of the year, 36 monthly winners and three wildcard entries enter the final annual contest on a different theme. The winner of the <a href=https://www.stanleycups.pl>stanley kubek</a> annual contest will then make a feature produced by Nayar under the Filmaka banner.More than 3,600 young film-makers from 95 countries have so far participated in the Filmaka contests - a com
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