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Pcop Just Between Us (Neka Ostane Medju Nama)
Dir: Harmony Korine. UK/Fr/Ire/USA. 2006. 112 mins It s a playful, romantic Harmony Kormine who emerges for inspection with Mister Lonely, his first film as a director since Julien Donkey Boy in 1999. The story of a lonely Michael Jackson impersonator who finds a fleeting tenderness wit <a href=https://www.cup-stanley-cup.ca>stanley cup</a> h a Marilyn Monroe impersonator seems to bring out the lighter side of the erstwhile enfant terrible and possesses reserves of offbeat, goofball charm. Charm can only take you so far, however, and by the halfway point it becomes obvious that the film has little else to offer. The mixture of the eccentric and the grotesque grows increasingly tiresome. An acquired taste that <a href=https://www.stanleywebsite.us>stanley cup</a>  may acquire a cult following, it has little to tempt a mainstream audience and commercial prospects are severely limited. A love story that also serves as a reflection on identity, blind faith and individuality, Mister Lonely takes the inspiration for its title from the Bobby  <a href=https://www.stanley-quencher.co.uk>stanley cup</a> Vinton song. Diego Luna stars as a Michael Jackson impersonator plying his trade in Paris. One performance at an old folk s home allows him to meet blousy Marilyn impersonator Samantha Morton. She invites him to a Scottish castle where a collection of celebrity impersonators have established a sympathetic commune of like-minded souls. Their numbers include The Pope  James Fox , Marilyn s husband Charlie Chaplin  Denis Lavant  and their daughter Shirley Temple  Esme Creed-Miles . It becomes a kind of paradise for Jackson, who finally feels at home in a gr Wlmy The Balkan answer
Source: First Cut FilmsMatthieu DarrasF <a href=https://www.cups-stanley.fr>stanley cup</a> irst Cut Lab director Matthieu Darras is teaming up with the Film Development Council of the Philippines  FDCP  and the Indonesian Agency for Creative Economy  BEKRAF  to launch two new film labs for project development and editing consultancy.The two labs, which are aimed at local directors, scriptwriters and producers, will each last around one week, starting with an editing consultancy programme and followed by a project development workshop. They will also feature masterclasses open to larger audiences.Co-organised with the FDCP, the first lab for Filipino filmmakers will take place in Manila from April 11-17. The lab is looking for 6-8 feature films in development and two features at the editing stage. The call for projects is about to be launched with a deadline of February 28.The second lab, co-organise <a href=https://www.stanleyuk.uk>stanley uk</a> d with BEKRAF and open to Indonesian filmm <a href=https://www.cups-stanley.co.uk>stanley cup</a> akers, will take place in Jakarta from August 21-28. The lab is looking for six films in development  three shorts and three features  and six films at the editing stage  one feature, two docs and three shorts .Consultants for the Manila lab include producers Izabela Igel  Floating Skyscrapers  and Giovanni Pompili  I Was A Dreamer  and script consultant Mmabatho Kau. In Jakarta, production consultants include Didar Domehri  Bang Gang  A Modern Love Story   and Tatiana Leite  Loveling , while Ayman El Amir is on board as a script consultant.FDCP chairperson Liza Dino said:  In our country, t
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