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Singapore-based short film platform Viddsee has raised $2.3m in its latest funding round with Japans CyberAgent Ventures CAV as lead investor.Viddsee streams short films and web series from Asia and the Middle East across its online video platform and iOS and Android mobile app. The <a href=https://www.stanleycups.it>stanley italy</a> service has more <a href=https://www.stanleymugs.us>stanley cup</a> than 2 million monthly unique users, mostly based in the Philippines, Taiwan, Indonesia, Malaysia and Singapore. We have witnessed a dramatic rise of short film consumption since our founding two years ago. Its not a stretch <a href=https://www.cup-stanley.us>stanley cup</a> of the imagination to have a film viewed by half a million people, which is an equivalent of 3,000 full house screenings, said Derek Tan, who founded the platform with fellow entrepreneur Ho Jia Jian.CAVs Takahiro Suzuki said: Theres no lack of content or creativity from Asia, but the real push in creating relevance with audiences is accessibility in both medium and content. We are confident that technology will facilitate the new wave for cinematic content in the online video space, especially in markets like Indonesia where mobile devices are the first touch points to the internet for many. Viddsees Korea/Taiwan content manager Chang Chih-wei is attending Asian Film Market to look for content.TopicsAsiaAsian Contents Film MarketDigitalFinanceScreenTechSingapore No comments Related articles Knvn Arms trade doc Shadow World acquired for North America
The director of Competition entry Tales Of The Night talks about being an inventor, stereoscopic 3D and some audiences fear of brea <a href=https://www.stanley-germany.de>stanley germany</a> sts.How did you get i <a href=https://www.stanleycup.pl>stanley kubek</a> nvolved with this project I first began working on this 20 years ago. I initially did a few shorts, some of which were released on TV. I went to Christophe Rossignon, the producer of Azur and Asmar, with those stories. He initially <a href=https://www.stanley-cup.us>stanley website</a> thought they were for TV but I said I wanted do film. I always want to do films. When he saw the first fairytale he agreed that it was for cinema. We reshot completely and some new stories were added.Tell me about the film Its a collection of fairy tales. It started a long time ago. Its a celebration of storytelling and the world of showbusiness. We start backstage. For each story there is a boy and a girl and an old technician and an old derelict cinema which looks abandoned but isnt. They do what I do: they invent stories, they discuss, they draw they get into it, they do whatever they want with all the technology they want. And theres even a curtain that opens!Have you worked with stereoscopic 3D before Never, this was the first time. It was fun. I worked with good people, we enjoyed ourselves. It was a return to the old times. Though its supposed to be state of the art technology, I initially returned to the little puppets I used to use and I would animate under the camera, with the background on a piece of glass and the light underneath. It looks like paper theatre on a stage and thats the way
Singapore-based short film platform Viddsee has raised $2.3m in its latest funding round with Japans CyberAgent Ventures CAV as lead investor.Viddsee streams short films and web series from Asia and the Middle East across its online video platform and iOS and Android mobile app. The <a href=https://www.stanleycups.it>stanley italy</a> service has more <a href=https://www.stanleymugs.us>stanley cup</a> than 2 million monthly unique users, mostly based in the Philippines, Taiwan, Indonesia, Malaysia and Singapore. We have witnessed a dramatic rise of short film consumption since our founding two years ago. Its not a stretch <a href=https://www.cup-stanley.us>stanley cup</a> of the imagination to have a film viewed by half a million people, which is an equivalent of 3,000 full house screenings, said Derek Tan, who founded the platform with fellow entrepreneur Ho Jia Jian.CAVs Takahiro Suzuki said: Theres no lack of content or creativity from Asia, but the real push in creating relevance with audiences is accessibility in both medium and content. We are confident that technology will facilitate the new wave for cinematic content in the online video space, especially in markets like Indonesia where mobile devices are the first touch points to the internet for many. Viddsees Korea/Taiwan content manager Chang Chih-wei is attending Asian Film Market to look for content.TopicsAsiaAsian Contents Film MarketDigitalFinanceScreenTechSingapore No comments Related articles Knvn Arms trade doc Shadow World acquired for North America
The director of Competition entry Tales Of The Night talks about being an inventor, stereoscopic 3D and some audiences fear of brea <a href=https://www.stanley-germany.de>stanley germany</a> sts.How did you get i <a href=https://www.stanleycup.pl>stanley kubek</a> nvolved with this project I first began working on this 20 years ago. I initially did a few shorts, some of which were released on TV. I went to Christophe Rossignon, the producer of Azur and Asmar, with those stories. He initially <a href=https://www.stanley-cup.us>stanley website</a> thought they were for TV but I said I wanted do film. I always want to do films. When he saw the first fairytale he agreed that it was for cinema. We reshot completely and some new stories were added.Tell me about the film Its a collection of fairy tales. It started a long time ago. Its a celebration of storytelling and the world of showbusiness. We start backstage. For each story there is a boy and a girl and an old technician and an old derelict cinema which looks abandoned but isnt. They do what I do: they invent stories, they discuss, they draw they get into it, they do whatever they want with all the technology they want. And theres even a curtain that opens!Have you worked with stereoscopic 3D before Never, this was the first time. It was fun. I worked with good people, we enjoyed ourselves. It was a return to the old times. Though its supposed to be state of the art technology, I initially returned to the little puppets I used to use and I would animate under the camera, with the background on a piece of glass and the light underneath. It looks like paper theatre on a stage and thats the way
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